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Innsbruck Cathedral : ウィキペディア英語版
Innsbruck Cathedral

Innsbruck Cathedral, also known as the Cathedral of St. James ((ドイツ語:Dom zu St. Jakob)), is an eighteenth-century Baroque cathedral of the Roman Catholic Diocese of Innsbruck in the city of Innsbruck, Austria, dedicated to the apostle Saint James, son of Zebedee. Based on designs by the architect Johann Jakob Herkomer, the cathedral was built between 1717 and 1724 on the site of a twelfth-century Romanesque church.〔Parsons 2000, p. 370.〕 The interior is enclosed by three domed vaults spanning the nave, and a dome with lantern above the chancel.〔Maier 1998, p. 270.〕 With its lavish Baroque interior, executed in part by the Asam brothers, St. James is considered among the most important Baroque buildings in the Tyrol.〔Caramelle 1987, p. 92.〕
Innsbruck Cathedral is notable for two important treasures. The painting ''Maria Hilf'' (''Mary of Succor'') by Lucas Cranach the Elder from c. 1530 is displayed above the main altar. It is considered among the most venerated Marian images in Christendom.〔Caramelle p. 3.〕 The cathedral also contains in the north aisle the canopied tomb of Archduke Maximilian III of Austria, Grand Master of the Teutonic Knights, dating from 1620. The cathedral was heavily damaged during World War II, but was fully restored within a few years.
==History==
The earliest reference to a church at the site of the cathedral dates back to 1180 in a document drawn up between the Counts of Andechs and the Premonstratensian Abbey at Wilton, authorizing the market to be moved from the left to the right bank of the Inn river, signifying the foundation of the old town of Innsbruck. The document specifically mentions an ''ecclesia in toro'' in reference to a church. In 1187, the Alte Innbrücke (Old Inn Bridge) was constructed along with the establishment of a market. The name Innsbruck was first used around this time.〔
Not much is known about this first Romanesque church, only that it was incorporated in Wilten Abbey. Subsequent documents mention the first church, but nothing is known of its appearance or the artistic decoration. In the thirteenth and fourteenth centuries, the church was repeatedly destroyed or damaged by fire and earthquakes, making it necessary to repair and rebuild several times.〔Caramelle pp. 3–4.〕
In 1438, Nicholas of Cusa donated significant funds to have the church completely enlarged. In 1472, the first sacristy inventory was conducted, enumerating large quantities of liturgical books, embroidered chasubles, monstrances, and chalices. In 1495, Albrecht Dürer created the first depiction of the church in a watercolor he made while on his way to Venice. The church is shown with a single spire behind the fortified walls of the city. The watercolor is now housed in the Albertina in Vienna.〔Caramelle p. 4.〕
During this time, St. James was most likely a three-aisled hall church, common at the time throughout southern Bavaria and the Alps. In 1551, St. James was rebuilt again, converted into a single-aisled hall-like church. The renovation included plans to house the tomb of Emperor Maximilian I. Under Archduke Ferdinand II, a number of notable artists worked on the church, including Jörg Ebert of Ravensburg who constructed a new organ in 1567, and Alexander Colyn who created the tabernacle of Obernberg marble in 1571.〔
In 1643, following a long struggle by the citizens of Innsbruck, St. James became the parish church, independent of Wilten.〔Caramelle p. 5.〕 In 1650, the masterpiece ''Maria Hilf'' (''Mary of Succor'') by Lucas Cranach the Elder was donated to St. James by Archduke Ferdinand Charles and entrusted to a well known Marien brotherhood.〔Caramelle pp. 5–6.〕 During that period, the citizens of Innsbruck fought to have the old church demolished and replaced with a new one much safer against the many earthquakes that shook the area during that time.〔Caramelle p. 6.〕 The ambitious building project had the support of notable secular and religious leaders. In December 1716, architect Johann Jakob Herkomer and his proposed design was selected, and on 12 May 1717, the foundation stone was laid, and within five months the foundation was completed.〔 On 27 October 1717, Herkomer died suddenly, but he was replaced immediately by his nephew and first foreman, Johann Georg Fischer, who followed his uncle's plans, with only a few minor alterations.〔Caramelle pp. 6–7.〕
The dome and towers were completed on 16 November 1720, and two years later Cosmas Damian Asam of Munich was selected to decorate the ceiling with scenes from the life of Saint James. Asam was paid 3,500 guilders for his work, and his brother Egid Quirin Asam received 2,400 guilders for the stucco work.〔Caramelle p. 7.〕 The new church was dedicated on 9 September 1724 by Kaspar Ignaz Count Kunigl, Prince Bishop of Brixen. The nobility and parishioners embraced the new building and donated generously to its completion. The imperial family also donated valuable votive gifts. On the occasion of the birth of her eldest son, Empress Maria Theresa donated a silver sculpture of a child in swadling clothes, as well as festive vestments. The interior was finally completed in 1732.〔
St. James retained its general appearance throughout the eighteenth and nineteenth centuries. In 1890, Albrecht Steiner von Felsburg was commissioned to undertake significant interior restoration.〔 On 16 December 1944, St. James sustained major damage during the most severe air raid of Innsbruck in World War II.〔Caramelle pp. 7–8.〕 The bombing resulted in the collapse of the vault, the damage of frescos and stucco, and the destruction of altars and paintings.〔Caramelle p. 8.〕 Between 1946 and 1950, extensive restoration of the church took place.〔
In 1964, St. James was elevated to the status of the Cathedral of the Diocese of Innsbruck.〔 In 1973, on the occasion of the 250th anniversary of St. James' dedication, the façade of the cathedral was renewed. Between 1991 and 1993, comprehensive interior restoration was done to address all remaining war damage. On 24 October 1993 at the conclusion of the restoration, Bishop Reinhold Stecher dedicated the new altar and crypt.〔

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